Wydawnictwo: Coviello Classics
Nr katalogowy: COV 92309
Nośnik: 1 CD
Data wydania: luty 2024
EAN: 4039956923091
Nr katalogowy: COV 92309
Nośnik: 1 CD
Data wydania: luty 2024
EAN: 4039956923091
Byrd / Dowland / Weelkes: The Queen's Masque - A female representation of power in English 16th century consort music
Coviello Classics - COV 92309
Wykonawcy
Carine Tinney, soprano
Ziv Braha, lute
Ensemble Feuervogel
Carine Tinney, soprano
Ziv Braha, lute
Ensemble Feuervogel
Ashton, H:
Hugh Ashton’s Maske
Bennet:
Eliza, her name gives honour
Dering:
Pavan
Hilton:
Fair Oriana, beauty's Queen
Johnson, E:
Eliza is the fairest Queen
Morley:
Hard by a crystal fountain
La Coranto
The Frog Galliard
Mundy, J:
Were I a king
Nicholson, R:
Jews Dance
Norcome:
With angel's face and brightness
Parsons, R:
De la Court
Weelkes:
Hark I hear
Hugh Ashton’s Maske
Bennet:
Eliza, her name gives honour
Dering:
Pavan
Hilton:
Fair Oriana, beauty's Queen
Johnson, E:
Eliza is the fairest Queen
Morley:
Hard by a crystal fountain
La Coranto
The Frog Galliard
Mundy, J:
Were I a king
Nicholson, R:
Jews Dance
Norcome:
With angel's face and brightness
Parsons, R:
De la Court
Weelkes:
Hark I hear
Fairy figure, minstrel or Blessed Virgin? Elizabeth I used all these role models as if in a masquerade to legitimize her position as monarch. Female rulers were not actually envisaged in the structures of the 16th century. They contradicted the passive, obedient and silent image of women of the time. With masque music by Byrd, Dowland, Morley, Parsons and others, ensemble feuervogel looks behind these royal masks, breaks through courtly facades and explores how the problem of role models was solved under Elizabeth I.