
Wydawnictwo: Delphian
Nr katalogowy: DCD 34217
Nośnik: 1 CD
Data wydania: grudzień 2018
EAN: 801918342172
Nr katalogowy: DCD 34217
Nośnik: 1 CD
Data wydania: grudzień 2018
EAN: 801918342172
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna, 20 wiek do 1960
Obszar (język): polski
Instrumenty: skrzypce, fortepian
Rodzaj: sonata, partita
Epoka muzyczna: współczesna, 20 wiek do 1960
Obszar (język): polski
Instrumenty: skrzypce, fortepian
Rodzaj: sonata, partita
Lutosławski / Penderecki: Complete music for violin and piano
Delphian - DCD 34217
Wykonawcy
Michael Foyle, violin
Maksim Stsura, piano
Michael Foyle, violin
Maksim Stsura, piano
Utwory na płycie:
Lutosławski:
Subito
Recitativo e arioso
Partita
Penderecki:
Sonata No. 1
Three Miniatures
Sonata No. 2
Subito
Recitativo e arioso
Partita
Penderecki:
Sonata No. 1
Three Miniatures
Sonata No. 2
Repression and censorship; optimism and freedom; renewed constraints. If this sounds like a now all too familiar story of political progress achieved and then reversed, then this stunning survey of chamber works by two of Poland’s leading post-war composers suggests that music was there to bear witness to each twist and turn of the tale.
From the post-Stalin thaw of the 1950s and 1960s to the triumphant re-establishment of democracy near century’s end, these vital utterances range from the exploded intensities of Penderecki’s Three Miniatures to the lean, focused expressive charge of Lutosławski’s Partita and the millennial anxieties of Penderecki’s Violin Sonata No 2.
On their first recording with Delphian Records, Michael Foyle and Maksim Štšura transmit every nuance, while giving these works new life as a statement of intent for virtues so unwavering as to seem like a reproach to the inconstancies of political life – alert collaboration, reciprocity, freedom, precision, joy.
Recorded at St Mary's Church, Haddington, 12-14 February 2018
From the post-Stalin thaw of the 1950s and 1960s to the triumphant re-establishment of democracy near century’s end, these vital utterances range from the exploded intensities of Penderecki’s Three Miniatures to the lean, focused expressive charge of Lutosławski’s Partita and the millennial anxieties of Penderecki’s Violin Sonata No 2.
On their first recording with Delphian Records, Michael Foyle and Maksim Štšura transmit every nuance, while giving these works new life as a statement of intent for virtues so unwavering as to seem like a reproach to the inconstancies of political life – alert collaboration, reciprocity, freedom, precision, joy.
Recorded at St Mary's Church, Haddington, 12-14 February 2018