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dcd34243
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Wydawnictwo: Delphian
Nr katalogowy: DCD 34243
Nośnik: 1 CD
Data wydania: wrzesień 2020
EAN: 801918342431
55,00zł
w magazynie
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Epoka muzyczna: barok
Obszar (język): włoski, niemiecki
Instrumenty: flet, viola da gamba
Rodzaj: sonata, koncert, opera

Ohrwurm

Delphian - DCD 34243
Kompozytor

Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, George Frideric Handel, Pietro Castrucci, Alessandro Marcello, Marin Marais, Freya Waley-Cohen, Antonio Soler, Arcangelo Corelli, Andrea Falconieri, Pierre-Francisque Carroubel, Henry Purcell, John Dowland, Gareth Moorcraft
Wykonawcy
Tabea Debus, recorders
Jonathan Rees, viola da gamba
Alex McCartney, theorbo & guitar
Antonio Bertali/Tarquinio Merula/Claudio Monteverdi:
Ciaconna

George Frideric Handel:
Rinaldo, HWV 7b - Lascia ch’io pianga
Siroe, re di Persia, HWV 24 - Jig

Pietro Castrucci:
Sonata in D minor, Op. 1 No. 10

Alessandro Marcello:
Concerto in D minor - Adagio

Marin Marais:
Pieces de viole, livre 2 - Selection from 'Les folies d’Espagne'

Freya Waley-Cohen:
Caffeine

Antonio Soler:
Fandango in D minor, R 146

Arcangelo Corelli:
The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Valentini

Andrea Falconieri:
Il primo libro di canzone… - La suave melodia, y su Corrente

Pierre-Francisque Carroubel:
Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612) - Spagnoletta

Henry Purcell:
King Arthur, Z 628 - Fairest Isle

John Dowland:
The Earle of Essex Galiard (Can she excuse my wrongs)

Gareth Moorcraft:
Tabea Debus - Diaries of the Early Worm

A Musicall Banquet (Robert Dowland, 1610) - Vuestros ojos tienen d’amor
La Monica (Une jeune fillette)
When Daphne did from Phoebus fly
An Introduction to Good Taste in Musick (Francesco Geminiani, 1749) - Auld Bob Morrice
Lamento di Tristano – La Rotta
Melodies that emerge from musical folk memory or jump o the printed page to lodge themselves in the listener’s mind: such ‘earworms’ are the raison d’etre of this inventive album, eervescent and haunting by turn.

Rising talent Tabea Debus makes an immediate impression as she joins the roster of Delphian house artists, coaxing an astonishing spectrum of moods and timbres from an array of Renaissance and Baroque recorders. Equally astounding is the tightness and responsiveness of her interaction with gamba player Jonathan Rees and lutenist Alex McCartney, while solos for recorder alone bookend the programme chronologically with music from the fourteenth century and the twenty-rst.

Recorded on 12-13 February 2020 at Broughton St Mary’s Parish Church, Edinburgh. Instruments: Ganassi soprano recorder in C by Monika Musch, Baroque soprano recorder in C by Ernst Meyer, Ganassi alto recorder in G by Monika Musch & others

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