Utwory na płycie:

• Sonata in G Major, Op. 78 - I. Vivace ma non troppo
• Sonata in G Major, Op. 78 - II. Adagio
• Sonata in G Major, Op. 78 - III. Allegro molto
• Sonata in D Minor, Op. 108 - I. Allegro
• Sonata in D Minor, Op. 108 - II. Adagio
• Sonata in D Minor, Op. 108 - III. Un poco presto e con sentimento
• Sonata in D Minor, Op. 108 - IV. Presto agitato
• Sonata Arpeggione in A Minor, D. 821 - I. Allegro moderato
• Sonata Arpeggione in A Minor, D. 821 - II. Adagio
• Sonata Arpeggione in A Minor, D. 821 - III. Allegretto
• Sonatina in D Major, Op. 137 /1, D. 384 - I. Allegro molto
• Sonatina in D Major, Op. 137 /1, D. 384 - II. Andante
• Sonatina in D Major, Op. 137 /1, D. 384 - III. Allegro vivace
• Scherzo in C Minor from FAE Sonata - I. Allegro - Trio: Più Moderato

CD 1:
Johannes Brahms:
Sonata in G major, Op. 78
Sonata in d minor, Op. 108

CD 2:
Franz Schubert:
Sonata Arpeggione in a minor, D 821
Sonatina in D major, Op. 137/1, D 384
Scherzo in c minor from FAE Sonata

On this generous last instalment of their Schubert-Brahms pilgrimage, Pieter Wispelwey and Paolo Giacometti serve us three iconic sonatas, including a world premiere. In its original hue of G Major, Brahms’ first violin sonata op. 78 is more scintillating and transparent than the D-major cello adaptation, and much more enchanting in its opening Vivace. Brahms’ third violin sonata op. 108 fuses surprising ebullience with superior mastery of form, in an epic piece which is an undiluted kick in the groin when played on a cello. And thankfully, Pieter and Paolo revisit Schubert’s Arpeggione, that gem of intimacy, fragility, frivolity and humbling, unattainable beauty. A fitting final, in all respects.

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Recorded at the Stadsgehoorzaal Leiden, The Netherlands, May 23-25, 2018 and Nov 27-29, 2018. Instruments: Cello: J.B. Guadagnini (1760, Parma), Piano: Steinway & Sons grand model D - 507435.