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Wydawnictwo: First Hand Records
Nr katalogowy: FHR 153
Nośnik: 1 CD
Data wydania: czerwiec 2024
EAN: 5060216342153
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960, współczesna, romantyzm
Obszar (język): hiszpański, niemiecki
Rodzaj: pieśń, opera

Abril / Falla / Weber: Canciones Xacobeas, 7 Canciones populares espanolas, Oberon Overture

First Hand Records - FHR 153
Teresa Berganza, soprano
Orquestra Sinfonica Portuguesa / Alvaro Cassuto
Canciones Xacobeas:
No 1 Camino longo
No 3 No nino novo do vento
No 7 Cantiga de amigo
No 6 Canzon para que un neno non Durma
No 11 Moi Lonxe
No 9 Maria Solina

7 Canciones populares espanolas:
No 1 El pano moruno
No 2 Seguidilla murciana
No 3 Asturiana
No 4 Jota
No 5 Nana
No 6 Cancion
No 7 Polo

Oberon Overture:
Act I, Scene 10
Act I:
Scene 4
The first performance of Canciones Xacobeas was given by Teresa Berganza in Santiago de Compostela on 8 May 1993 conducted by the composer

Afterwards Berganza often included some of these songs in her recitals. The work sets poems ranging from the 12th to the 20th centuries while taking in an array of images and personages themselves associated with Galicia from Medieval times through to the recent past.

Falla's Siete canciones populares espanolas ranks among his most often heard works including in this arrangement with orchestra made during the early 1940s by Ernesto Halffter. As the title itself indicates, the texts for these songs (which are all relatively brief in their duration) derive largely from traditional or folk sources.

The complete opera of Oberon is not often performed, but the Overture is a popular concert piece, taking its melodies from the main body of the opera. As a complete work it is one of the most remarkable combinations of fantasy and technical skill in modern music. Teresa Berganza is a Spanish mezzo-soprano with an unmistakable voice that was dusky, sultry and sensuous, who is most closely associated with the roles of Rossini, Mozart, and Bizet. She is admired for her technical virtuosity, musical intelligence, and beguiling stage presence.

Zobacz także:

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