Utwory na płycie:

• Il mondo alla rovescia Overture
• Tarare Overture (Act I)
• Axur, Re d´Ormus Picciola Sinfonia. Allegro assai (Act IV)
• Palmira, Regina di Persia Overture
• Die Neger Overture
• Die Neger Picciola Sinfonia. Larghetto (Act II)
• La grotta di Trofonio Overture
• La calamita de´cori Non troppo allegro
• La calamita de´cori Adagio
• La calamita de´cori (Allegro)
• Daliso e Delmita Intrada. Allegro (Act I)
• Daliso e Delmita Lotta. Andante maestoso (Act I)
• Die Hussiten vor Naumburg Overture
• Die Hussiten vor Naumburg Entr´acte I
• Die Hussiten vor Naumburg Entr´acte II
• Die Hussiten vor Naumburg Entr´acte III
• Die Hussiten vor Naumburg Entr´acte IV
• L´Angiolina ossia II matrimonio per sussurro Overture

La calamita de’ cori (1774) - Sinfonia a due orchestre (Act II)*
Daliso e Delmita (1776) - Intrada. Lotta. (Act I)*
La grotta di Trofonio (1785) - Ouvertüre
Tarare (1787) - Ouvertüre (Act I)
Axur, Re d’Ormus (1788) - Piccola Sinfonia. (Act III)
Il mondo alla rovescia (1792/95) - Ouvertüre **
Palmira, Regina di Persia (1795) - Ouvertüre
L’Angiolina ossia Il matrimonio per sussurro (1800) - Ouvertüre **
Die Hussiten vor Naumburg (1802/03):
Ouvertüre *, Entr’acte I*, Entr’acte II*, Entr’acte III*, Entr’acte IV*
Die Neger (1802/04) - Ouvertüre and Piccola Sinfonia (Act II)*
* World Premiere Recording
** World Premiere Recording of original version

Despite the popular mythology, Antonio Salieri was not envious of Mozart. Rather than a sinister rival, Salieri was an outstanding composer who developed his own unique musical language, who sadly, languished in infamy and obscurity for generations after his death. Thomas Fey has set a course to change that unwarranted neglect, unearthing many works by Salieri to give them their first modern performance. This current CD, almost entirely comprised of world premieres and original versions, gives Salieri a chance to heard on his own merits as a composer. Fey’s first recording of Salieri was a huge success internationally - particularly the quality of the music gave rise to many very positive comments. Salieri writes very expressively, utilizing bold colors and well-defined gestures. The frequent, abrupt breaks and episodic character of his music draws parallels to today's film music. Indeed, it is to be remembered that above all else, Salieri was a composer for the Theater. The Mannheim Mozart Orchestra conducted by Thomas Fey have devoted themselves to the challenge of making the music of the classical era come to life with tremendous verve and fire. Indeed, Maestro Salieri would be pleased to hear his music so lovingly revived.