Wydawnictwo: Haenssler
Nr katalogowy: H 98577
Nośnik: 1 CD
Data wydania: grudzień 2009
EAN: 4010276023005
Nr katalogowy: H 98577
Nośnik: 1 CD
Data wydania: grudzień 2009
EAN: 4010276023005
Mendelssohn-Bartholdy: Sinfonie Nr. 2 Lobgesang
Haenssler - H 98577
Kompozytor
Felix Mendelssohn-Bartholdy (1809-1847)
Felix Mendelssohn-Bartholdy (1809-1847)
Wykonawcy
Eleonore Marguerre, sopran
Ulrika Strömstedt, sopran
Markus Schäfer, tenor
Deutscher Kammerchor / Markus Melchiori
Heidelberger Sinfoniker / Thomas Fey
Eleonore Marguerre, sopran
Ulrika Strömstedt, sopran
Markus Schäfer, tenor
Deutscher Kammerchor / Markus Melchiori
Heidelberger Sinfoniker / Thomas Fey
Utwory na płycie:
Sinfonie Nr.2 B-Dur op. 52 Lobgesang
I. Sinfonia 1 Maestro con moto - Allegro- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
I. Sinfonia 2 Allegretto un poco agitato
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
I. Sinfonia 3 Adagio religioso
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
II. Chorus: Alles, was Odem hat, lobe den Herrn
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
Aria (soprano II) and women's chorus: Lobe den Herrn, meine Seele
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
III: Recitative (tenor): Sagest es, die ihr erlöset seid
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
Aria (tenor): Er zählet uns're Tränen
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
IV. Chorus: Saget es, die ihr erlöset seid
- Sinfonie Nr.2 A-Dur op. 52 Lobgesang
V. Duet (soprano I & II) and Chorus: Ich harrete des Herrn
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
VI. Aria (tenor): Striche des Todes hatten uns umfangen
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
Soprano & VII. Chorus: Die Nacht ist vergangen
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
VII. Chorale: Nun danket alle Gott
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
IX. Duet (sopran I & tenor): Drum sing' ich mit meinem Liede
- Sinfonie Nr.2 B-Dur op. 52 Lobgesang
X. Final Chorus: Ihr Völker! Bringet her dem Herrn Ehre und Macht
Mendelssohn's Second Symphony is expression of his religious faith
and was certainly inspired by Beethoven's Ninth Symphony - especially
in that both works include vocal soloists and a choir in a large-scale
finale. Thus this work occupies a special place in Mendelssohn's oeuvre
as well as in the concert hall.
With this recording, Thomas Fey and the Heidelberger Sinfoniker
conclude their exploration of the complete Mendelssohn symphonies -
both the orchestral scores and the charming, early string symphonies.
Symphony No. 5, called "Lobgesang" by the composer, is a fitting and
grand conclusion to this project, released in celebration of
Mendelssohn's 200th Anniversary. Thomas Fey's recordings of the
Mendelssohn's complete symphonies reveal the composer
to be a passionate, energetic composer, embodying the true spirit of
early Romanticism. These recordings will inspire a second look at
and was certainly inspired by Beethoven's Ninth Symphony - especially
in that both works include vocal soloists and a choir in a large-scale
finale. Thus this work occupies a special place in Mendelssohn's oeuvre
as well as in the concert hall.
With this recording, Thomas Fey and the Heidelberger Sinfoniker
conclude their exploration of the complete Mendelssohn symphonies -
both the orchestral scores and the charming, early string symphonies.
Symphony No. 5, called "Lobgesang" by the composer, is a fitting and
grand conclusion to this project, released in celebration of
Mendelssohn's 200th Anniversary. Thomas Fey's recordings of the
Mendelssohn's complete symphonies reveal the composer
to be a passionate, energetic composer, embodying the true spirit of
early Romanticism. These recordings will inspire a second look at
Zobacz także:
