Utwory na płycie:

• Suite im 6. Ton - 1. Prélude
• Suite im 6. Ton - 2. Fugue grave (Kyrie)
• Suite im 6. Ton - 3. Trio par contrefugue
• Suite im 6. Ton - 4. Cornet
• Suite im 6. Ton - 5. Duo
• Suite im 6. Ton - 6. Allemande gravis (Offertire)
• Suite im 6. Ton - 7. Duo en gigue (Sanctus)
• Suite im 6. Ton - 8. Dessus de tierce
• Suite im 6. Ton - 9. Basse de Cromorne
• Suite im 6. Ton - 10. Echo
• Suite im 6. Ton - 11. Toccata (Elévation)
• Suite im 6. Ton - 12. Tierce en taille ( Agnus Dei)
• Suite im 6. Ton - 13. Dialogue
• Suite im 6. Ton - 14. Récit (Communio)
• Suite im 6. Ton - 15. Plein jeu (Ite Missa est)
• Magnificat und Präludium - Präludium
• Magnificat und Präludium - Magnificat
• Suite en quatre pieces - 1. Allegro
• Suite en quatre pieces - 2. Pastorella
• Suite en quatre pieces - 3. Duo
• Suite en quatre pieces - 4. Fuga à 2
• Tantum ergo - Prélude, avant le plein jeu du Tantum ergo
• Tantum ergo - Plain jeu du Tantum ergo
• Tantum ergo - Tantum ergo
• Tantum ergo - Finale du Tantum ergo
• Magnificat im 7. Ton - Fuge g-moll
• Magnificat im 7. Ton - Magnificat - Et exultavit
• Magnificat im 7. Ton - Quia respexit
• Magnificat im 7. Ton - Quia fecit
• Magnificat im 7. Ton - Et misericordia
• Magnificat im 7. Ton - Fecit potentiam
• Magnificat im 7. Ton - Deposuit petentes
• Magnificat im 7. Ton - Esurientes implevit
• Magnificat im 7. Ton - Suscepit Israel
• Magnificat im 7. Ton - Sicut locutus est - Gloria patri - Sicut erat
• Magnificat im 7. Ton - Morceau fugué

Lambert Chaumont:
Suite du Sixieme Ton - alternée avec la Messe Royale du Sixieme Ton de Henry Du Mont

Hubert Renotte:
Suite en Quatre Pieces - Pieces de clavecin composées par Monsieur Renotte (manuscript)

Thomas Babou:
Tantum Ergo

Heinrich Scheidemann:
Magnificat VII Toni - Alternatim-Ausführung, eingeleitet und abgeschlossen mit einer Fuge

Magnificat (Orlandus Lassus) avec Prélude (Anonymus) - alternée avec plainchant

In this recording, the third in a series of three in which we present recently rediscovered works and unfamiliar repertoire, we explore the salient characteristics of organ performance in the Prince-Bishopric of Liege and its influence on the French classical organ style. These recordings are part of a PhD research programme that will be concluded in 2019; the results of this research will also be published on the Internet at that time. This project was launched on the discovery of the Tongeren Organ Manuscript (Manuscript Berx); the contents of this manuscript will be published as a modern performing edition within the near future.

The organist and conductor Luc Ponet was born in Hasselt and studied at the Lemmens Institute (Leuven University College of Arts) in Leuven and at the Hochschule für Musik und Darstellende Kunst in Vienna. He was professor of organ at the Lemmens Institute from 1982 to 2000. Than, he was appointed as an inspector (academies of music and conservatories) for the Flemish community, since when he has been a guest lecturer and visiting professor at the Lemmens Institute (Leuven), Concordia University (River Forest – Chicago) and Waco University (Texas). He is the organist-titular for the historic Le Picard organ (1750) in the basilica of Tongeren, the oldest city in Belgium; he is also the resident organist for the Landcommanderij Alden Biesen, the European cultural and congress centre of the Flemish community in Bilzen. He is the artistic director of the Bach Academie Alden Biesen and has been appointed city organist of Leuven as well as curator of the Leuven Orgelstad Festival in 2012.

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Luc Ponet plays the organs of The Basilica in Tongeren.