Utwory na płycie:

• Die sieben Todsünden - Prolog. Andante sostenuto
• Die sieben Todsünden - Faulheit. Allegro vivace
• Die sieben Todsünden - Stolz. Allegretto, quasi Andantino
• Die sieben Todsünden - Zorn. Molto agitato
• Die sieben Todsünden - Völlerei. Largo
• Die sieben Todsünden - Unzucht. Moderato
• Die sieben Todsünden - Habsucht. Allegro guisto
• Die sieben Todsünden - Neid. Allegro non troppo
• Die sieben Todsünden - Epilog. Andante sostenuto
• Hate Songs - Cadenza I
• Hate Songs - I. Men
• Hate Songs - Cadenza II
• Hate Songs - II. Incurable
• Hate Songs - Cadenza III
• Hate Songs - III. Frustration
• Five Songs - Thoreau
• Five Songs - At the River
• Five Songs - Serenity
• Five Songs - Down East
• Five Songs - Cradle Song
• The Unanswered Question (Late Version)

Kurt Weill:
Die sieben Todsunden

Marcus Paus:
Hate Songs

Charles Ives:
Five Songs
The Unanswered Question (Late Version)

PORTRAYING PASSION

When Tora Augestad releases a musical portrait together with the Oslo Philharmonic, there’s nothing less than Kurt Weill, Marcus Paus, and Charles Ives on the menu. Augestad's repertoire for “Portraying Passion” takes the musical qualities of modernist, individualistic composers and places them squarely within the context of the 21st century.

Paus’ contemporary composition enhances Ives’ visionary dissonance as well as the contrasting melodic shifts of Weill’s orchestrations, yet brings something entirely new to the table, with its startling text and cabaretesque presentation. Parker and Brecht could just as well walk arm in arm down the conceptual pathway of understated satire, counterbalanced by the ethereal, transcendental text of Ives’ songs, forming a complementary whole. Add Augestad’s unique approach to these works into the equation, and the listener is served with a program certain to make them re-examine any former assumptions, and delight at the outcome. And therein lies the timeless dimension of this mezzo-soprano’s considerable artistry.

Norwegian mezzo-soprano Tora Augestad is an artist equally at home in concert halls, theater and cabaret stages, and contemporary music arenas. Through commissioning new works and through collaboration with her various ensembles, she continuously seeks new challenges and the exchange of artistic ideas. Theatrically convincing with a compelling personality, her vocal capabilities defy easy classification. She has received the Lotte Lenya prize, and has collaborated with Ensemble Modern, Klangforum Wien, and Christoph Marthaler, among others.

---

Recorded in Oslo Concert Hall, 3-5 May and 22-24 May 2017.