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Wydawnictwo: Prospero Classical
Nr katalogowy: PROSP 0067
Nośnik: 1 CD
Data wydania: czerwiec 2023
EAN: 4262353970249
w magazynie
Nasze kategorie wyszukiwania

Epoka muzyczna: romantyzm, współczesna, 20 wiek do 1960
Obszar (język): włoski, francuski
Instrumenty: akordeon
Rodzaj: suita, walc

Einaudi / Granados / Satie: Folk Flow - Works for Accordion

Prospero Classical - PROSP 0067
Ludovico Einaudi (ur. 1955)
Enrique Granados (1867-1916)
Eric Satie (1866-1925)
Squiban, Silvestrov, Chopin, Tiersen, Martini
Viviane Chassot, accordion
Nagrody i rekomendacje
Pizzicato 5
Didier Squiban:
Suite Nos 1&2

Novole bianche

Bagatelles op. 1

Danza Espanola nr2

Gnosienne 1,5

Walz a-moll

La Walse d'Amelie

Plaisie d'amour
After the great success of her album Bach Pur (which was awarded the Opus Klassik 2022 in the category "Instrumentalist of the Year"), accordionist Viviane Chassot

now dedicates her new album Folk Flow to a completely different repertoire: with Irish and Breton traditionals, with music by Didier Squiban, Einaudi, Chopin,

Satie, Granados, Silvestrov and others. She combines classical music with jazz, folk music and free improvisation and surprises the listener once again. For the

result is once again gripping, stirring, thought-provoking and astonishing. "Every single piece on this CD has come to me in the last two years," says the artist. And

further: "Supposedly so far apart from each other, yet in their sound aesthetics ultimately very related. Captivating in their simplicity and directness. Space for the

soul, spaces of longing - breathing sounds." On this album, she juxtaposes the beauty of simple traditional folk music from Brittany with a waltz by Chopin or the

famous Gnossiennes by Satie. French charm in a lyrical-poetic sound merges here with a sometimes meditative character. Among them are discoveries such as

the Bagatelles by Valentin Silvestrov, through which a whole universe behind sounds breathes. With the exception of one original composition, all the works on the

album were originally written for piano. By transferring them to the accordion, new musical spaces and an enormous variety of tonal nuances open up. These

works allow the artist to fully exploit the dynamic and tonal spectrum of her instrument. Unexpected juxtapositions, connections and transitions of different composers

and epochs thus become a unity.

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