Wydawnictwo: Pentatone
Nr katalogowy: PTC 5186602
Nośnik: 2 SACD
Data wydania: listopad 2017
EAN: 827949060267
Nr katalogowy: PTC 5186602
Nośnik: 2 SACD
Data wydania: listopad 2017
EAN: 827949060267
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): niemiecki
Rodzaj: opera
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): niemiecki
Rodzaj: opera
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Strauss: Salome
Pentatone - PTC 5186602
Kompozytor
Richard Strauss (1864-1949)
Richard Strauss (1864-1949)
Wykonawcy
Wolfgang Koch
Michaela Schuster
Benjamin Bruns
Peter Bronder
Emily Magee
Frankfurt Radio Symphony / Andres Orozco-Estrada
Wolfgang Koch
Michaela Schuster
Benjamin Bruns
Peter Bronder
Emily Magee
Frankfurt Radio Symphony / Andres Orozco-Estrada
Utwory na płycie:
- Wie schön ist die Prinzessin Salome heute Nacht!
- Nach mir wird einer kommen
- Ich will nicht bleiben. Ich kann nicht bleiben
- Siehe, der Herr ist gekommen
- Jauchze nicht, du Land Palästina
- Lasst den Propheten herauskommen
- Wo ist er, dessen Sündenbecher jetzt voll ist?
- Er ist schrecklich. Er ist wirklich schrecklich!
- Wer ist dies Weib, das mich ansieht?
- Jochanaan! Ich bin verliebt in deinen Leib
- Dein Leib ist grauenvoll
- Zurück, Tochter Sodoms! Berühre mich nicht!
- Niemals, Tochter Babylons, Tochter Sodoms,...Niemals!
- Wird dir nicht bange, Tochter der Herodias
- Lass mich deinen Mund küssen, Jochanaan
- Du bist verflucht
- Wo ist Salome? Wo ist die Prinzessin?
- Salome, komm, trink Wein mit mir
- Sieh, die Zeit ist gekommen
- Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben.
- Siehe, der Tag ist nahe, der Tag des Herrn
- O über dieses geile Weib, die Tochter Babylons
- Tanz für mich, Salome
- Salomes Tanz
- Ah! Herrlich! Wundervoll, wundervoll
- Salome, ich beschwöre dich
- Salome, bedenk, was du tun willst.
- Gib mir den Kopf des Jochanaan!
- Es ist kein Laut zu vernehmen
- Ah! du wolltest mich nicht deinen Mund küssen lassen, Jochanaan
- Sie ist ein Ungeheuer, deine Tochter
- Ah! Ich habe deinen Mund geküsst, Jochanaan
Salome
Musical drama in one act
Based on a play of the same name by Oscar Wilde
Musical drama in one act
Based on a play of the same name by Oscar Wilde
Desire. Brutality. Lust. Slyness. Anxiety. What a fascinatingly menacing thematic melange is seething in this Scilome. Richard Strauss, the "nervous contrapuntalist,'' had immediately recognized the potential of Oscar Wilde's play, and had proceeded to add to it a musical meta-plane, which resulted in Salome becoming the scandalous new point of departure for opera in the 20th century.
In its vivid psychological depiction of a corrupt world, Sa/ome is, at the same time, both child of and witness to the dawning of the 20th century - a reflection of a moribund Iate-bourgeois era, captivated by its own putrefaction. The opera hit the nerve of the times. Strauss poured the Scilome catastrophe into a one-act opera lasting a mere 100 minutes. However, these are 100 highly condensed minutes, which demand the Iistener's full and uninterrupted attention without any break; first torturing him emotionally and then trickling the venom of sweet, seductive music into his ears and mind; laying his nerves bare, then making him tremble in aroused expectation.
This PENTATONE album featuring the young, up-and-comirig conductor Andres Orozco-Estrada leading the hr Symphony Orchestra (= formerly Frankfurt Radio Symphony Orchestra) is a live recording of a concert given on September 10, 2016 in Frankfurt. The critics were enthusiastic: ''The title role was wonderfully relaxed, all the essential components were in general harmonious, and Andi~ Orozco-Estrada emphasized the power of the orchestra.''
Indeed, Orozco-Estrada surrounded his Salome with outstanding soloists of the German opera repertoire: Wolfgang Koch (Jochanaan), Peter Bronder (Herod), and Michaela Schuster (Herodias) . The American soprano Emily Magee made her debut as Salome in Berlin in 2011. Since then, she has developed into a true Strauss specialist - and not only in this role. The Frankfurter Rundschau praised her ''readily appealing, powerful and untiring soprano voice, which never gets drowned, not even in the orchestral tutti. Her face was a fascinating reflection of the slyness, the caprices, the bitchiness of a pampered princess.''
Recorded live at Alte Oper Frankfurt, September 10th 2016
In its vivid psychological depiction of a corrupt world, Sa/ome is, at the same time, both child of and witness to the dawning of the 20th century - a reflection of a moribund Iate-bourgeois era, captivated by its own putrefaction. The opera hit the nerve of the times. Strauss poured the Scilome catastrophe into a one-act opera lasting a mere 100 minutes. However, these are 100 highly condensed minutes, which demand the Iistener's full and uninterrupted attention without any break; first torturing him emotionally and then trickling the venom of sweet, seductive music into his ears and mind; laying his nerves bare, then making him tremble in aroused expectation.
This PENTATONE album featuring the young, up-and-comirig conductor Andres Orozco-Estrada leading the hr Symphony Orchestra (= formerly Frankfurt Radio Symphony Orchestra) is a live recording of a concert given on September 10, 2016 in Frankfurt. The critics were enthusiastic: ''The title role was wonderfully relaxed, all the essential components were in general harmonious, and Andi~ Orozco-Estrada emphasized the power of the orchestra.''
Indeed, Orozco-Estrada surrounded his Salome with outstanding soloists of the German opera repertoire: Wolfgang Koch (Jochanaan), Peter Bronder (Herod), and Michaela Schuster (Herodias) . The American soprano Emily Magee made her debut as Salome in Berlin in 2011. Since then, she has developed into a true Strauss specialist - and not only in this role. The Frankfurter Rundschau praised her ''readily appealing, powerful and untiring soprano voice, which never gets drowned, not even in the orchestral tutti. Her face was a fascinating reflection of the slyness, the caprices, the bitchiness of a pampered princess.''
Recorded live at Alte Oper Frankfurt, September 10th 2016