Utwory na płycie:

• 33 Variations on a Waltz by Anton Diabelli Op 120 - Tema- Vivace
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation I- Alla marcia maestoso
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation II- Poco allegro
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation III- Listesso tempo
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation IV- Un poco più vivace
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation V- Allegro vivace
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation VI- Allegro ma non troppo e serioso
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation VII- Un poco più allegro
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation VIII- Poco vivace
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation IX- Allegro pesante e risoluto
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation X- Presto
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XI- Allegretto
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XII- Un poco più moto
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XIII- Vivace
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XIV- Grave e maestoso
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XV- Presto scherzando
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XVI- Allegro
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XVII- [Allegro]
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XVIII- Poco moderato
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XIX- Presto
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XX- Andante
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXI- Allegro con brio - Meno allegro - Tempo I
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXII- Allegro molto- Alla Notte e giorno faticar di Mozart
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXIII- Allegro assai
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXIV- Fughetta- Andante
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXV- Allegro
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXVI- Piacevole
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXVII- Vivace
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXVIII- Allegro
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXIX- Adagio ma non troppo
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXX- Andante- sempre cantabile
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXXI- Largo- molto espressivo
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXXII- Fuga- Allegro - Poco adagio
• 33 Variations on a Waltz by Anton Diabelli Op 120 - Variation XXXIII- Tempo di minuetto moderato (ma non tirarsi dietro)
• Six Bagatelles Op 126 - No 1 in G- Andante con moto
• Six Bagatelles Op 126 - No 2 in G minor- Allegro

33 Variations on a Waltz by Anton Diabelli in C, Op. 120
Six Bagatelles Op.126

Daniel-Ben Pienaar “makes the Goldbergs sound more like that other supreme set of variations, Beethoven’s Diabelli Variations, than any other pianist has.” An appropriate observation from BBC Music Magazine, as Pienaar follows his acclaimed recording of Bach’s groundbreaking Goldbergs (AV 2235), by scaling the heights of Beethoven’s monumental 33 Variations on a waltz by Anton Diabelli. Variously called “the greatest set of variations ever written” and “the greatest of all piano works”, this late work is one of Beethoven’s most adventurous, suitably challenging for Pienaar’s technical wizardry and probing intellect. He compliments the set with Beethoven’s last great work for solo piano, the Bagatelles, Op. 126, which themselves are no mere trifles. As with his previous releases, Pienaar contributes in-depth notes which delve deeply into the music’s enigmas. Combined with his sometimes provocative, always enlightening interpretations, Pienaar has once again created a highly satisfying release for the committed classical listener.

critical acclaim for Daniel-Ben Pienaar

“the most completely satisfying survey of this still undervalued music ever committed to disc.” – The Sunday Times (on the Mozart Sonatas, AV 2209)

“One to blow your socks off” – Classic FM Magazine, Editor’s Choice (on the Mozart Sonatas, AV 2209)

“this new recording is indispensable” – BBC Music Magazine, * * * * * (on the Goldberg Variations, AV 2235)

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Recorded 5 September (Op. 120) and 6 September (Op. 126) 2011, Duke’s Hall of the Royal Academy of Music, London