Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72934
Nośnik: 1 CD
Data wydania: lipiec 2023
EAN: 608917293425
Nr katalogowy: CC 72934
Nośnik: 1 CD
Data wydania: lipiec 2023
EAN: 608917293425
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm, 20 wiek do 1960
Obszar (język): niemiecki, francuski
Rodzaj: pieśń
Epoka muzyczna: romantyzm, 20 wiek do 1960
Obszar (język): niemiecki, francuski
Rodzaj: pieśń
Schubert / Brahms / Glanzberg: The Last Epiphany
Challenge Classics - CC 72934
Wykonawcy
Thilo Dahlmann, bass-baritone, Hedayet Jonas Djeddikar, piano
Thilo Dahlmann, bass-baritone, Hedayet Jonas Djeddikar, piano
Utwory na płycie:
- Deutsche Volkslieder, WoO 33 - Sonntag, Op. 47, No. 3
- Deutsche Volkslieder, WoO 33 - Wach auf, Mein´ Herzensschöne, No. 16
- Deutsche Volkslieder, WoO 33 - Es wohnet ein Fiedler zu Frankfurt am Main, No. 36
- Deutsche Volkslieder, WoO 33 - In stiller Nacht, No. 42
- Deutsche Volkslieder, WoO 33 - Ach Gott, wie weh tut scheiden, No. 17
- Deutsche Volkslieder, WoO 33 - Soll sich der Mond nicht heller scheinen, No. 35
- Deutsche Volkslieder, WoO 33 - Da unten im Tale, No. 6
- In Memoriam – Holocaust Lieder - Im Gefängnis
- In Memoriam – Holocaust Lieder - Abschied
- In Memoriam – Holocaust Lieder - Fu?r Ule
- Deutsche Volkslieder, WoO 33 - All mein Gedanken, No. 30
- In Memoriam – Holocaust Lieder - Alter Baum
- In Memoriam – Holocaust Lieder - Nachtgedanken
- In Memoriam – Holocaust Lieder - Der Ofen von Lublin
- In Memoriam – Holocaust Lieder - Versprich mir eins
- In Memoriam – Holocaust Lieder - Die letzte Epiphanie
- In Memoriam – Holocaust Lieder - Lied zur guten Nacht
- In Memoriam – Holocaust Lieder - Greta
- In Memoriam – Holocaust Lieder - An die Völker der Erde
- Abendstern D. 806
- Deutsche Volkslieder, WoO 33 - Mein Mädel hat einen Rosenmund, No. 25
- Deutsche Volkslieder, WoO 33 - Feinsliebchen, No. 12
- Deutsche Volkslieder, WoO 33 - Jungfräulein, soll ich mit Euch gehen, No. 11
- Deutsche Volkslieder, WoO 33 - Die Sonne scheint nicht mehr, No. 5
- Deutsche Volkslieder, WoO 33 - Erlaube mir, feins Mädchen, No. 2
- Deutsche Volkslieder, WoO 33 - Sagt mir, o schönste Schäf´rin mein, No. 1
- Deutsche Volkslieder, WoO 33 - Es steht ein Lind´, No. 41
- Deutsche Volkslieder, WoO 33 - Gar lieblich hat sich gesellet, No. 3
Brahms:
Deutsche Volkslieder WoO 33, All mein Gedanken, No. 30
Glanzberg:
In Memoriam – Holocaust Lieder, Im Gefängni
Schubert:
Abendstern D. 806
Deutsche Volkslieder WoO 33, All mein Gedanken, No. 30
Glanzberg:
In Memoriam – Holocaust Lieder, Im Gefängni
Schubert:
Abendstern D. 806
Thilo Dahlmann and Hedayet Djeddikar. "I sow, I see no seed, and I remain mournfully silent at home." With these words of Johann Mayerhofer full of mourning and melancholy from Schubert's "Abendstern", we as performers look back on the content of this CD. It juxtaposes compositions that could hardly be more opposite.
The past century, like so many before and after it, has not only sown good seeds. Norbert Glanzberg had to experience one of the greatest human catastrophes of the century himself, the Holocaust. Long after the end of the war, he managed to clothe the horror he suffered in music through the words of other persecutees and victims of National Socialism. Music that could not be more beautiful in many places. A beauty that is only painful to bear in view of the texts set to music.
In selecting the pieces for this recording, we were guided by Norbert Glanzberg's compositional approach of countering horror with beauty. Therefore, folk song settings by Johannes Brahms form the beginning of this CD. Songs that, like few other songs in the Romantic lied repertoire, can embody the greatest possible innocence and impartiality in text and music.
It is precisely this contrast that illustrates in our eyes the breaking of human and civilisational culture through the horrors of the Holocaust. A "break-up" that Norbert Glanzberg has masterfully set to music in his cycle "In Memoriam".
The past century, like so many before and after it, has not only sown good seeds. Norbert Glanzberg had to experience one of the greatest human catastrophes of the century himself, the Holocaust. Long after the end of the war, he managed to clothe the horror he suffered in music through the words of other persecutees and victims of National Socialism. Music that could not be more beautiful in many places. A beauty that is only painful to bear in view of the texts set to music.
In selecting the pieces for this recording, we were guided by Norbert Glanzberg's compositional approach of countering horror with beauty. Therefore, folk song settings by Johannes Brahms form the beginning of this CD. Songs that, like few other songs in the Romantic lied repertoire, can embody the greatest possible innocence and impartiality in text and music.
It is precisely this contrast that illustrates in our eyes the breaking of human and civilisational culture through the horrors of the Holocaust. A "break-up" that Norbert Glanzberg has masterfully set to music in his cycle "In Memoriam".