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Wydawnictwo: Bis
Seria: Beethoven Violin Sonatas Zimmermann
Nr katalogowy: BISSACD 2527
Nośnik: 1 SACD
Data wydania: kwiecień 2021
EAN: 7318599925271
56,00zł
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Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: skrzypce, fortepian
Rodzaj: sonata

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Beethoven: Violin Sonatas, Vol. 2

Bis - BISSACD 2527
Wykonawcy
Frank Peter Zimmermann, violin
Martin Helmchen, piano
Nagrody i rekomendacje
 
Music Island Recommends
 
Violin Sonata No. 5 in F major, Op. 24, ‘Spring Sonata’
Violin Sonata No. 6 in A major, Op. 30 No. 1
Violin Sonata No. 7 in C minor, Op. 30 No. 2
2020 saw the release of the first instalment in this three-disc traversal of Beethoven’s violin sonatas – a disc which has garnered distinctions such as Choc de Classica and Cum Laude (Luister), with performances that ‘wed classical verve to a profoundly Romantic spirit’ (Gramophone) in ‘recordings that are conversations by a perfect instrumental pairing’ (BBC Music Magazine). As Frank Peter Zimmermann and Martin Helmchen open the second disc, they do so with the iconic Spring Sonata, Op. 24. Completed in 1801, the work proved immediately popular with a second edition appearing only months after the first publication. There were also numerous arrangements for a variety of forces – including a song based on motifs from the sonata’s slow movement.

Soon after completing Op. 24, Beethoven began work on a set of three sonatas of which the first two are included on this disc. Musically the Op. 30 sonatas continue the development that had begun with the Spring Sonata towards a contrast-rich, symphonic style. Beethoven originally planned to end the first and shortest of the three with the expansive movement that later became the finale of the great Kreutzer Sonata. As this would clearly have ruined the proportions of the work, he eventually replaced it with a set of variations. Closing this disc is the second sonata of Op. 30, in C minor. It is the most important of the set; a genuine Grande Sonate in four movements, and an early example of Beethoven’s ‘heroic’ style.

Recording: February 2020 at the Robert-Schumann Saal, Kunstpalast, Düsseldorf, Germany. Instrumentarium: Violin: Antonio Stradivarius, Cremona 1711, ‘Lady Inchiquin’; Piano: Chris Maene Straight Strung Concert Grand Piano.

Zobacz także:

  • C 200011
  • GEN 21747
  • CRC 3758
  • CAR 83514
  • PN 1610
  • CDA 68319
  • AUDITE 97774
  • SIGCD 665
  • CDA 68286
  • KTC 1687