Utwory na płycie:

• Paganini: 24 Caprices, Op. 1 - #01 In E: Andante
• Paganini: 24 Caprices, Op. 1 - #02 In B Minor: Moderato
• Paganini: 24 Caprices, Op. 1 - #03 In E Minor: Sostenuto: Presto
• Paganini: 24 Caprices, Op. 1 - #04 In C Minor: Maestoso
• Paganini: 24 Caprices, Op. 1 - #05 In A Minor: Agitato
• Paganini: 24 Caprices, Op. 1 - #06 In G Minor: Adagio
• Paganini: 24 Caprices, Op. 1 - #07 In A Minor: Posato
• Paganini: 24 Caprices, Op. 1 - #08 In E Flat: Maestoso
• Paganini: 24 Caprices, Op. 1 - #09 In E: Allegretto
• Paganini: 24 Caprices, Op. 1 - #10 In G Minor: Vivace
• Paganini: 24 Caprices, Op. 1 - #11 In C: Andante: Presto
• Paganini: 24 Caprices, Op. 1 - #12 In A Flat: Allegro
• Paganini: 24 Caprices, Op. 1 - #13 In B Flat: Allegro
• Paganini: 24 Caprices, Op. 1 - #14 In E Flat: Moderato
• Paganini: 24 Caprices, Op. 1 - #15 In E Minor: Posato
• Paganini: 24 Caprices, Op. 1 - #16 In G Minor: Presto
• Paganini: 24 Caprices, Op. 1 - #17 In E Flat: Sostenuto: Andante
• Paganini: 24 Caprices, Op. 1 - #18 In C, 'Corrente': Allegro
• Paganini: 24 Caprices, Op. 1 - #19 In E Flat: Lento: Allegro Assai
• Paganini: 24 Caprices, Op. 1 - #20 In D: Allegretto
• Paganini: 24 Caprices, Op. 1 - #21 In A: Amoroso
• Paganini: 24 Caprices, Op. 1 - #22 In F: Marcato
• Paganini: 24 Caprices, Op. 1 - #23 In E Flat: Posato
• Paganini: 24 Caprices, Op. 1 - #24 In A Minor, 'Tema Con Variazioni': Quasi Presto

Paganini’s 24 Caprices Op 1 were considered simply unplayable by most contemporary violinists, but the composer himself bestrode their difficulties with contemptuous ease. A forerunner and inspirer of his younger contemporaries Chopin, Liszt and Berlioz, Paganini was the archetype of the virtuoso performer. His technique was so phenomenal, and his saturnine presence so magnetic, that he was popularly believed to be in league with the Devil. He communicated a new vision of what the violin could achieve.

Virtuoso violinists are plentiful these days, but the challenges posed by the Caprices are still daunting and it is a rare performer who can achieve such insouciant brilliance in this repertoire as the young German violinist Tanja Becker-Bender has in her debut recording for Hyperion.



GRAMOPHONE EDITOR'S CHOICE

'A sparkling, cleaned-up version of Paganini, sounding the more amazing for its polish and clarity, and bringing into focus the poetic, romantic sensibility that enthralled the composer's contemporaries. I can't remember hearing the flute and horn imitations in the Ninth Caprice more persuasively performed, and in No 21, marked amoroso, Becker-Bender manages to retain a tender, intimate tone where many of her rivals equate amorousness with crude intensity. The more brilliant passages are just as successful … I'm sure Paganini himself would have been impressed and delighted' (Gramophone)

'This superb new recording … These are marvellous performances, full of freshness and vitality, technically accomplished yet spontaneous sounding and highly expressive … Becker-Bender's imagination really shines through in those of a more picturesque nature … Another exceptional release from Hyperion' (International Record Review)

---

Recording details: January 2007; Chapel of Castle Solitude, Stuttgart, Germany; Produced by Reinhard Geller; Engineered by Reinhard Geller; Release date: March 2009;