Utwory na płycie:

• Sonate, correnti et arie, Op. 4: sonata No. 18 for two violi
• Sonate, over canzoni, Op. 5: violin sonata No. 4 in a minor,
• Sonate, arie et correnti, Op. 3: No. 5, aria sopra 'la berga
• Sonate, over canzoni, Op. 5: violin sonata No. 1 in d major,
• Sonate, correnti et arie, Op. 4: violin sonata No. 1 in a maj
• Sonate, correnti et arie, Op. 4: violin sonata No. 2 in g mi
• Sonate, correnti et arie, Op. 4: violin sonata No. 3 in e ma
• Sonate, correnti et arie, Op. 4: violin sonata No. 4 in c mi
• Sonate, arie et correnti, Op. 3: sonata No. 4 for two violin
• Sonate, correnti et arie, Op. 4: violin sonata No. 5 in c mi
• Sonate, correnti et arie, Op. 4: violin sonata No. 12 in a m
• Sonate, arie et correnti, Op. 3: violin sonata No. 1 in a mi

Uccellini:
Sonate over Canzone, Op. 5

Sonate, arie et correnti, Op. 3

Sonate, correnti et arie, Op. 4

The young violinist Conor Gricmanis and his early music ensemble Noxwode, have recorded rare and beautiful violin sonatas by the early Italian Baroque composer Marco Uccellini for FHR.

Uccellini's sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrument's technical capabilities and expressive range. This stylus fantasticus genre is evident in this recording, providing ample opportunities for the soloists and ensemble to personalise their interpretations.

On this recording, Gricmanis plays what is believed to be the oldest fully playable violin in the world, a 450 year old Andrea Ama made in 1572.