Sonata 1 - I. Allegro moderato e serioso
Sonata 1 - II. Adagio
Sonata 1 - III. Andante recitativo
Sonata 1 - IV. Allegro assai
Sonata 2 - I. Grave
Sonata 2 - I. Adagio
Sonata 2 - II. Allegro maestoso e vivace
Sonata 2 - III. Fuga Allegro moderato
Sonata 3 - I. Con moto maestoso
Sonata 3 - II. Andante tranquillo
Sonata 4 - I. Allegro con brio
Sonata 4 - II. Andante religioso
Sonata 4 - III. Allegretto
Sonata 4 - IV. Allegro maestoso e vivace
Sonata 5 - I. Andante
Sonata 5 - II. Andante con moto
Sonata 5 - III. Allegro maestoso
Sonata 6 - I. Choral - Andante sostenuto - Allegro Molto
Sonata 6 - II. Fuga
Sonata 6 - III. Finale – Andante
Allegro in B-flat major - Allegro in B-flat major
Allegretto in D minor
Allegro moderato maestoso in C major
Fugue in F minor - Andante sostenuto
Andante in F major
Fugue in B-flat major
Allegro, Choral and Fugue in D minor
Andante and Variations in D major
Nachspiel in D major

It cannot be said that Mendelssohn was the most innovative composer of his time. His style is "pure" and anchored in the classical tradition. Nonetheless, he became an important organ composer. Following the publication of Mendelssohn's organ sonatas (opus 65) in 1845 and up to Max Reger's Sonata No. 1 for organ of 1900, more than 260 sonatas were composed for the instrument in Germany alone. The six organ sonatas of Mendelssohn were published concurrently in England, Germany, France and Italy, underscoring the high regard in which the sonatas were held at the time. This recording, which contains the six Organ Sonatas Op. 65, as well as nine pieces without opus numbers, were recorded on the new Eule Organ in Sofienberg Church, Oslo, Norway.