Wydawnictwo: Passacaille
Nr katalogowy: PAS 1010
Nośnik: 1 CD
Data wydania: maj 2015
EAN: 5425004140104
Nr katalogowy: PAS 1010
Nośnik: 1 CD
Data wydania: maj 2015
EAN: 5425004140104
Italian Sonatas
Passacaille - PAS 1010
Kompozytor
Francesco Piccone; Ludovico Fontanelli; Giovanni Sammartini; Leonardo Leo; Carlo Arrigoni; Scarlatti Domenico
Francesco Piccone; Ludovico Fontanelli; Giovanni Sammartini; Leonardo Leo; Carlo Arrigoni; Scarlatti Domenico
Utwory na płycie:
Francesco Piccone (ca. 1685-ca. 1745):
“Sinfonia per la mandola” in d minor
Ludovico Fontanelli (ca. 1682-1748):
Sonata Transcription Filippo Della Casa (1736-post 1811)
Giovanni Battista Sammartini (1700 or 1701-1775):
“Sonata per Armandolino” in G major
Attributed to Leonardo Leo (1694-1744):
Grave Transcription - Filippo Della Casa
Carlo Arrigoni (1697-1744):
“Sonata a Mandolino e Basso” in e minor
Anonymous (Naples):
Grave Transcription - Filippo Della Casa
Domenico Scarlatti (1685 – 1757):
Sonata in g minor K 88
Giovanni Battista Gervasio (ca. 1725-ca. 1785):
“Sonata Per Camera di Mandolino e Basso” in D major
“Sinfonia per la mandola” in d minor
Ludovico Fontanelli (ca. 1682-1748):
Sonata Transcription Filippo Della Casa (1736-post 1811)
Giovanni Battista Sammartini (1700 or 1701-1775):
“Sonata per Armandolino” in G major
Attributed to Leonardo Leo (1694-1744):
Grave Transcription - Filippo Della Casa
Carlo Arrigoni (1697-1744):
“Sonata a Mandolino e Basso” in e minor
Anonymous (Naples):
Grave Transcription - Filippo Della Casa
Domenico Scarlatti (1685 – 1757):
Sonata in g minor K 88
Giovanni Battista Gervasio (ca. 1725-ca. 1785):
“Sonata Per Camera di Mandolino e Basso” in D major
The ‘idea’ of the mandolin is mainly associated today with Italian folk music (primarily from Naples) and with the small pear-shaped instrument, its bent top and moveable bridge, and its tuning in fifths, identical to that of the violin. Duilio Galfetti and Luca Pianca present several pieces e.g. from Arrigoni, Piccone and Sammartini, composers, who use the instrument to the limits of its possibilities. The writing is in some cases extremely virtuosic and the musical forms correspond to those of the traditional Baroque aesthetic.
Recorded in October 2011, at Auditorio Stelio Molo, Radiotelevisione Svizzera (RSI), Lugano (CH)
Recorded in October 2011, at Auditorio Stelio Molo, Radiotelevisione Svizzera (RSI), Lugano (CH)