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Wydawnictwo: Bis
Nr katalogowy: BIS 1845
Nośnik: 1 CD
Data wydania: październik 2011
EAN: 7318590018453
62,00 zł
22,6% taniej
48,00 zł
Najniższa cena z 30 dni przed obniżką: 48,00 zł
w magazynie
Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): włoski
Instrumenty: skrzypce
Rodzaj: koncert

Vivaldi: Concertos for Strings

Bis - BIS 1845
Nagrody i rekomendacje
Klassik.com 5 Muzyka21 5 Limelight Diapason 5 klassik heute 10 Music Island Recommends
Utwory na płycie:
Concerto in C major, RV114
Sonata a 4 in E flat major (‘Al Santo Sepolcro’), RV 130
Concerto in G minor, RV152
Concerto in D minor, RV128
Concerto in D minor (‘Concerto madrigalesco’), RV129
Sinfonia in C major (from La Senna festeggiante, RV693)
Concerto in F minor, RV143
Concerto in G minor, RV157
Concerto in E minor, RV134
Concerto in A major, RV158
It is a familiar fact that Antonio Vivaldi was a prime mover in the creation of the solo concerto, but what is less well known is that he also was the leading exponent of the older concerto a quattro – music in four parts, with several players to a part, intended for what we nowadays would call a string orchestra with continuo. As Vivaldi expert Michael Talbot explains in his informative liner notes, these works are notable not only for their beauty, but also for their experimental character and for providing the most important examples of fugal writing in Vivaldi’s instrumental music. It is not known when Vivaldi started to write them, but most of the almost fifty concertos probably originate from the 1720s and 1730s. They are recreational music par excellence, well suited to outdoor performance in gardens, but some of them may also have been played in various churches and theatres of Venice. This recording includes eight of the concertos, as well as the Sinfonia from the serenata La Senna festeggiante (The Rejoicing Seine) composed in honour of the young French king Louis XV, and the Sonata a 4 in E flat major ‘Al Santo Sepolcro’. The acclaimed Polish period band Arte dei Suonatori have made a number of highly regarded recordings, including a version of Handel’s 12 Concerto grossi Op. 6 which the international music press greeted with enthusiasm upon its release in 2008. It was ‘Orchestral Choice of the Month’ in BBC Music Magazine, received top marks in Diapason, and was described as ‘quite simply flawless and must be considered as a model for Handel interpretations of our time’ by the reviewer in the German magazine Toccata – Alte Musik Aktuell.

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