Utwory na płycie:

• Sinfonia to La Statira, i. All
• Sinfonia to La Statira, ii. An
• Sinfonia to La Statira, iii. A
• Concerto S. Lorenzo, i. Largo
• Concerto S. Lorenzo, ii. Andan
• Concerto S. Lorenzo, iii. Larg
• Concerto S. Lorenzo, iv. Alleg
• Concerto in G, Bre 9, i. Alleg
• Concerto in G, Bre 9, ii. Larg
• Concerto in G, Bre 9, iii. All
• Balletto di Cavalieri Romani,
• Concerto in C, RV171, i. Alleg
• Concerto in C, RV171, ii. Larg
• Concerto in C, RV171, iii. All
• Concerto in B flat, RV365, i.
• Concerto in B flat, RV365, ii.
• Concerto in B flat, RV365, iii
• Ballo... in C, i. Preludio
• Ballo... in C, ii. Entree
• Ballo... in C, iii. Chiaconne
• Ballo... in C, iv. Gigue
• Ballo... in C, v. Tempo di Min
• Ballo... in C, vi. Loure
• Ballo... in C, vii. Tempo di M

Tomaso Albinoni:
Sinfonia to La Statira for 2 trumpets, 2 oboes, strings & continuo in D

Antonio Vivaldi:
Concerto per la Solennita di S. Lorenzo for violin, strings & continuo in F, RV 286
Concerto per Sua Maesta Cesarea e Cattolica, for violin, strings & continuo in C, RV 171
Concerto for violin, strings & continuo in B flat, RV 365 (late version)

Giuseppe Antonio Brescianello:
Concerto for violin, strings & continuo in G, Bre 9

Nicola Matteis the Younger:
Balletto di Cavalieri Romani, Spagnuoli, e Africani from Act III of Scipione nelle Spagne (Antonio Caldara) for 4 trumpets, timpani, 2 oboes, bassoon, strings & continuo in C
Ballo from Act III of Cajo Marzio Coriolano (Antonio Caldara) for 4 trumpets, timpani, 2 oboes, bassoon, strings & continuo in C

MinuetThis recording by La Serenissima began life when the ensemble were recording for an earlier release – always keen to record as much material as possible, several gems were unable to be included because of timing restrictions. Over further recordings the number of these works continued to increase, sparking the idea for this new collection – 'extra time' to include these lost treasures.

Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album.

La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.

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Recordings: St John’s Smith Square, London, 25 August 2016 (Tr. 1-3), 26 August 2016 (11); The Hospital of St Cross, Winchester, 24 April 2015 (4-7), 8-11 February 2011 (15-17); Cedars Hall, Wells, 15 February 2018 (8-10), 14 February 2019 (12-14)