
Wydawnictwo: Chandos
Nr katalogowy: CHSA 5243
Nośnik: 1 SACD
Data wydania: styczeń 2021
EAN: 95115524329
Nr katalogowy: CHSA 5243
Nośnik: 1 SACD
Data wydania: styczeń 2021
EAN: 95115524329
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): austriacki, niemiecki
Rodzaj: poemat symfoniczny, pieśń
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): austriacki, niemiecki
Rodzaj: poemat symfoniczny, pieśń

Lehar / Schoenberg / Korngold: Verklärte Nacht
Chandos - CHSA 5243
Utwory na płycie:
Franz Lehár:
Fieber (Fever)
Oskar Fried:
Verklärte Nacht, Op. 9 (Transfigured Night)
Arnold Schoenberg:
Verklärte Nacht, Op. 4
Erich Wolfgang Korngold:
Lieder des Abschieds, Op. 14 (Songs of Farewell)
Fieber (Fever)
Oskar Fried:
Verklärte Nacht, Op. 9 (Transfigured Night)
Arnold Schoenberg:
Verklärte Nacht, Op. 4
Erich Wolfgang Korngold:
Lieder des Abschieds, Op. 14 (Songs of Farewell)
Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s Verklärte Nacht needs no introduction, but far rarer is Oscar Fried’s contemporaneous setting of the same poem.
Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later.
Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
Recording: Phoenix Concert Hall, Fairfield Halls, Croydon; 14 and 15 March 2020.
Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later.
Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
Recording: Phoenix Concert Hall, Fairfield Halls, Croydon; 14 and 15 March 2020.